When a pattern of self-editing has been running since early childhood, letting it go isn’t a clean intellectual decision. Joe tells Harry that what feels like distress is actually the beginning of grief. As he questions the constant self-monitoring — the lifelong habit of wondering whether people like him — he’s mourning something that has been with him his whole life.

“What’s occurring is that you’re starting this grieving process of the constant self-editing… And every time you notice you’re doing it, the grief starts popping up. And it’s like mourning a death.”

Joe is clear that there’s no way around the grieving. The waves will be big at first and will take a while, but they shrink over time until eventually you can touch that part of yourself without immediately collapsing into mourning. The instruction isn’t to analyze or fix it — Joe explicitly waves off Harry’s attempts to figure out the general rule — but to let the waves move, even relocating the work to a safer setting (home rather than a school full of kids) when the intensity is too public.

“You don’t get there without grieving it, without doing the waves.”

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